Verner Panton Rare Wave Mira-x Pillow 1970 MID Century Modern Space Age Design

Verner_Panton_Rare_Wave_Mira_x_Pillow_1970_MID_Century_Modern_Space_Age_Design_01_pysVerner Panton Rare Wave Mira-x Pillow 1970 MID Century Modern Space Age Design
Verner Panton Rare Wave Mira-x Pillow 1970 MID Century Modern Space Age Design
Verner Panton Rare Wave Mira-x Pillow 1970 MID Century Modern Space Age Design
Verner Panton Rare Wave Mira-x Pillow 1970 MID Century Modern Space Age Design
Verner Panton Rare Wave Mira-x Pillow 1970 MID Century Modern Space Age Design
Verner Panton Rare Wave Mira-x Pillow 1970 MID Century Modern Space Age Design
Verner Panton Rare Wave Mira-x Pillow 1970 MID Century Modern Space Age Design
Verner Panton Rare Wave Mira-x Pillow 1970 MID Century Modern Space Age Design

Verner Panton Rare Wave Mira-x Pillow 1970 MID Century Modern Space Age Design
From our Spaceship to yours. Rare Verner Panton’Wave’ Pillow designed by Verner Panton and produced by Mira-X Switzerland in 1970. Dimensions: 14″ x 14″. Design icon par excellence. Museum quality piece: condition is A+ apart from some minor spots that may come out with a gently cleaning. Please do not machine wash. From a super clean smoke-free home. Price is for one (1) elephant; I have two pillows available (see my other listings). Lease see our pictures. Life is beautiful and, claro que si, naturally so are you. Item is as pictured. If you need more pictures let me know. I will be happy to send them to you. Thank you and wishing you a happy day!
Verner Panton Rare Wave Mira-x Pillow 1970 MID Century Modern Space Age Design

Rare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design

Rare_Wave_Mira_x_Verner_Panton_Pillow_1970_MID_Century_Modern_Space_Age_Design_01_ofuRare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design
Rare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design
Rare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design
Rare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design
Rare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design
Rare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design
Rare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design
Rare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design
Rare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design
Rare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design

Rare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design
From our Spaceship to yours. Rare Verner Panton’Wave’ Pillow designed by Verner Panton and produced by Mira-X Switzerland in 1970. Dimensions: 14″ x 14″. Design icon par excellence. Museum quality piece: condition is A+ apart from some minor spots that may come out with a gently cleaning. Please do not machine wash. From a super clean smoke-free home. Price is for one (1) elephant; I have two pillows available (see my other listings). Lease see our pictures. Life is beautiful and, claro que si, naturally so are you. Item is as pictured. If you need more pictures let me know. I will be happy to send them to you. Thank you and wishing you a happy day!
Rare Wave Mira-x Verner Panton Pillow 1970 MID Century Modern Space Age Design

Ultra Rare Verner Panton’Ball Lamp’ Poster Luber Suisse 1968 Mid Century Modern

Ultra_Rare_Verner_Panton_Ball_Lamp_Poster_Luber_Suisse_1968_Mid_Century_Modern_01_utUltra Rare Verner Panton'Ball Lamp' Poster Luber Suisse 1968 Mid Century Modern
Ultra Rare Verner Panton'Ball Lamp' Poster Luber Suisse 1968 Mid Century Modern
Ultra Rare Verner Panton'Ball Lamp' Poster Luber Suisse 1968 Mid Century Modern
Ultra Rare Verner Panton'Ball Lamp' Poster Luber Suisse 1968 Mid Century Modern
Ultra Rare Verner Panton'Ball Lamp' Poster Luber Suisse 1968 Mid Century Modern
Ultra Rare Verner Panton'Ball Lamp' Poster Luber Suisse 1968 Mid Century Modern
Ultra Rare Verner Panton'Ball Lamp' Poster Luber Suisse 1968 Mid Century Modern
Ultra Rare Verner Panton'Ball Lamp' Poster Luber Suisse 1968 Mid Century Modern
Ultra Rare Verner Panton'Ball Lamp' Poster Luber Suisse 1968 Mid Century Modern

Ultra Rare Verner Panton'Ball Lamp' Poster Luber Suisse 1968 Mid Century Modern
1968 Verner PANTON Ultra Rare Luber Ball Lamp aka Wonder Lamp Poster, Original, Modern. Verner Panton original Luber AG Suisse Poster: devoted to Verner Panton Wonder Lamp. Ultra rare original J. Luber GmbH poster from 1968. Medium: Lithograph Poster with Die-Cut Bottom. Size: 27.5 x 39.5 inches. Subject: Wonder Lamp (Ball Lamp). Acquired back in the late 1990s from a close Luber family member in Basel. I was told Luber made only 100 of these back in 1968. Condition is good considering its age. Some markings, creases, small tears and finger prints on paper. Crease running along the left of the print. This will not show when framed. With a remarkable faith in the unlimited possibilities of forms and materials, he worked successfully to create a new set of theories about how a chair should look and how it should seat someone. Experimenting with every material available, and propelled by the rapidly advancing technology of the production processes, he created a body of work that is astounding for its elegance and for the remarkable diversity of his pieces. He was trained at a technical school in Odense, Denmark as an architectural engineer and then at the Royal Danish Academy of Fine Arts in Copenhagen. He worked in Arne Jacobsen’s architectural office from 1950-52, where it is rumored that he was one of the worst workers, ostensibly because he was preoccupied with his own designs. He started his own design office in 1955 and, in the same year, came out with the tubular steel and woven cane “Bachelor” and “Tivoli” chairs. In 1958 his work as the architect of the Applied Art display at the Fredericia Furniture Fair was a harbinger of his non-traditional approach to the tenets of design. Shocking both attendees and artists, he displayed the furniture by hanging it from the ceiling of the stand. With his 1958 “Cone” chair, and the “Heart” chair the following year, both made of upholstered bent sheet metal, he began to subtly change the structure of the chair. The chairs had no discernible back, and no legs, and resembled a sculpted cylinder into which someone would be inserted. Because his chairs, even from the beginning, rarely had traditional legs, critics at the time suggested that they should be called’seats’ rather than try to imagine them as chairs. He revisited this shape in 1963 with the “Wire Cone” chair. The 1960 stacking “Panton” chair, the first to be produced from a single piece of molded plastic, brought Panton international recognition with its modern and unexpected form. It was first shown at the Mobilia club and awarded an A. The shape of the chair, a single curve with no extraneous skeleton was designed to give a soft, rather than rigid, support and it was made is a range of bright colors. Originally produced by Fritz Hansen, it was later picked up and put into mass production by Herman Miller. Panton’s 1966 “S” chair, produced by Thonet, was similar to the “Panton” in shape and was the first single piece cantilevered chair in plywood. He also expanded this shape into the 1963 “Upholstered Seating System” pieces that were longer, stretched out versions, like a completely relaxed “Panton” chair. This series was inspired by Panton’s philosophy that a set of furniture should interact within itself as a kind of chair landscape, which refuses to be just functional. In the late 1960s and early 1970s Panton experimented with a radical series of upholstered environments. He wanted “to encourage people to use their fantasy and make their surroundings more exciting, ” and to this end created the 1963 “Flying” chair, the 1968 “Pantower, ” an upholstered unit with several levels, and the1974 upholstered Sitting Wheel. ” Two chairs he created for Cassina in 1979, “Sisters Emmenthaler” and the “Mrs. Emmenthaler chaise longue, were more playful and figurative, imitating the shape of the body. Panton is also known for his extraordinarily unique and sculptural lighting in plastic and Capiz shells. He employed shells, UFO-like metal and plastic elements, plastic balls and brightly colored or shiny twisted strands of plastic to forward the philosophy set forth by fellow Dane Poul Henningsen that the design of a lamp should obscure the bulb or light source. Some of his most coveted designs from this time include the “Wonderlamp, ” “VP Globe, ” “Spiral Lampen, ” the “Fun” series and the Flowerpot. The body of work produced by Verner Panton represents one of the most progressive and successful of the 20th century. In 1954 the four Scandinavian countries, Denmark, Sweden, Norway and Finland arranged what proved to be the most important marketing effort ever for Scandinavian designthe monumental exhibition Design in Scandinavia. From 1954 to 1957 Design in Scandinavia toured the United States and Canada. The exhibition was presented in 27 cities, and it was a huge success, initiated by The Danish Society of Arts and Crafts and its sister organizations in the other participating countries. Based on the success the four countries established what they called the Scandinavian Design Cavalcade, which had a lot of US press coverage as well. In that connection the July 1959 issue of House Beautiful was centered around The Scandinavian Look in U. Homes, and it was Denmark and Danish Design in particular that the magazine focussed on. Besides the editorial pages, the numerous ads illustrates that Danish modern furniture was increasingly gaining a stronghold among certain groups of American consumers. Importers and retail chains like John Stuart Inc. George Tanier, Raymor and Dunbar etc. From the end of the 1950s Danish Department stores and other retailers produced comprehensive brochures and booklets in English with prices in US Dollars presenting Danish Design to American and other tourists. Without exception, these stores all presented the narrative of Danish modern. Denmark is known all over the world for its exquisite home furnishing, which are characterized by their outstanding design and superb craftsmanship the department store Magasin claimed in its brochure Danish Design. The item “Ultra Rare Verner Panton’Ball Lamp’ Poster Luber Suisse 1968 Mid Century Modern” is in sale since Monday, August 24, 2020. This item is in the category “Books & Magazines\Antiquarian & Collectible”. The seller is “skystays32″ and is located in Sonoma, California. This item can be shipped worldwide.
Ultra Rare Verner Panton'Ball Lamp' Poster Luber Suisse 1968 Mid Century Modern

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Rare Verner Panton Mira-X DECONOVA Curve Mid Century Modern MCM Vintage Fabric

Rare_Verner_Panton_Mira_X_DECONOVA_Curve_Mid_Century_Modern_MCM_Vintage_Fabric_01_ikmRare Verner Panton Mira-X DECONOVA Curve Mid Century Modern MCM Vintage Fabric
Rare Verner Panton Mira-X DECONOVA Curve Mid Century Modern MCM Vintage Fabric
Rare Verner Panton Mira-X DECONOVA Curve Mid Century Modern MCM Vintage Fabric
Rare Verner Panton Mira-X DECONOVA Curve Mid Century Modern MCM Vintage Fabric
Rare Verner Panton Mira-X DECONOVA Curve Mid Century Modern MCM Vintage Fabric

Rare Verner Panton Mira-X DECONOVA Curve Mid Century Modern MCM Vintage Fabric
Rare Verner Panton Mira-X “DECONOVA” Curve Mid Century Modern MCM Vintage Fabric. Today we have a rare rare specimen up for grabs! This is new old stock (unused) rare 100% Authentic Verner Panton Mira-X “DECONOVA” Curve Mid Century Modern Vintage Fabric panel! Look / ask around- I doubt you will find the “Deconova” pattern in this color scheme anywhere. If you do, I would bet it is in the form of a used curtain or wall hanging… This fabric is 100% new and unused! This was from Verner Panton’s 1981 collection, making it one of the last iterations of his classic “Curve” design before the original days of groovy mod design were over… Unlike many other Panton / Panton look-alike pieces for sale online, this piece retains the selvage for purpose of provenance and is signed / marked “MIRA – DECONOVA Designed By VERNER PANTON For Mira-x 100% co”! The piece measures approx. 52″ x 48″ (including selvages) and is a heavier weight cotton! This one would make a killer wall hanging in your retro mod pad!!! I NEW OLD STOCK!!! Just amazing 100% vintage fabric and such an iconic design! I have a BS in Apparel and Textile manufacturing and have been collecting fabrics for almost 2 decades. I have bought fabrics across the USA, Europe, and Central America over the years. All of the fabrics I have listed here are straight out of my personal collection! Please check out my other auctions in the coming days for more vintage fabrics! The item “Rare Verner Panton Mira-X DECONOVA Curve Mid Century Modern MCM Vintage Fabric” is in sale since Monday, November 8, 2021. This item is in the category “Collectibles\Linens & Textiles\Fabrics”. The seller is “yesterdayscraze” and is located in Melbourne Beach, Florida. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi arabia, Ukraine, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Chile, Colombia, Costa rica, Panama, Trinidad and tobago, Guatemala, Honduras, Jamaica, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Viet nam, Uruguay.
Rare Verner Panton Mira-X DECONOVA Curve Mid Century Modern MCM Vintage Fabric

Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s

Rare_Louis_Poulsen_VP_GLOBE_Verner_PANTON_Space_Age_Mid_Century_Modern_Lamp_60s_01_hvwRare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s
Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s
Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s
Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s
Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s
Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s
Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s
Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s
Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s
Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s
Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s
Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s

Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s
From our Spaceship to yours. No whiners or prima ballerinas please. Verner PANTON’original’ VP-Globe from 1969/70 made by Louis Poulsen in Denmark. This is the large Louis Poulsen VP-Globe measuring 48cm in diameter. Not a new reproduction; this is the original from 1969 made by Louis Poulsen. Second image is a stock image from the Louis Poulsen catalogue from 1970. Other images are of the actual item. Verner Panton original Louis Poulsen VP-Globe re-discovered in my storage after 25 years under a’layer’ of dust. I have cleaned it up but it needs just a little bit more care. Small hairline cracks in the plexiglass. It is missing the ceiling cap. It is missing the original little round ball that that holds the bottom sphere into place. I was able to replace it with a metric European bolt as pictured. It is missing two of the original tiny little clips the hold the metal bead strands on top. I was able to replace them with two copper replacement clips that do the job. The metal bottom bar plus ball chains has oxidation by age. The metal (center of lamp) has some scuffs. Most of the scuffs on the white lacquered metal come out with Novus polishing cream. This is a super fragile lamp so I prefer you pick it up. I prefer you pick it up. You need to have some basic assembly skills. The following is filler nonsense. With a remarkable faith in the unlimited possibilities of forms and materials, he worked successfully to create a new set of theories about how a chair should look and how it should seat someone. Experimenting with every material available, and propelled by the rapidly advancing technology of the production processes, he created a body of work that is astounding for its elegance and for the remarkable diversity of his pieces. He was trained at a technical school in Odense, Denmark as an architectural engineer and then at the Royal Danish Academy of Fine Arts in Copenhagen. He worked in Arne Jacobsen’s architectural office from 1950-52, where it is rumored that he was one of the worst workers, ostensibly because he was preoccupied with his own designs. He started his own design office in 1955 and, in the same year, came out with the tubular steel and woven cane “Bachelor” and “Tivoli” chairs. In 1958 his work as the architect of the Applied Art display at the Fredericia Furniture Fair was a harbinger of his non-traditional approach to the tenets of design. Shocking both attendees and artists, he displayed the furniture by hanging it from the ceiling of the stand. With his 1958 “Cone” chair, and the “Heart” chair the following year, both made of upholstered bent sheet metal, he began to subtly change the structure of the chair. The chairs had no discernible back, and no legs, and resembled a sculpted cylinder into which someone would be inserted. Because his chairs, even from the beginning, rarely had traditional legs, critics at the time suggested that they should be called’seats’ rather than try to imagine them as chairs. He revisited this shape in 1963 with the “Wire Cone” chair. The 1960 stacking “Panton” chair, the first to be produced from a single piece of molded plastic, brought Panton international recognition with its modern and unexpected form. It was first shown at the Mobilia club and awarded an A. The shape of the chair, a single curve with no extraneous skeleton was designed to give a soft, rather than rigid, support and it was made is a range of bright colors. Originally produced by Fritz Hansen, it was later picked up and put into mass production by Herman Miller. Panton’s 1966 “S” chair, produced by Thonet, was similar to the “Panton” in shape and was the first single piece cantilevered chair in plywood. He also expanded this shape into the 1963 “Upholstered Seating System” pieces that were longer, stretched out versions, like a completely relaxed “Panton” chair. This series was inspired by Panton’s philosophy that a set of furniture should interact within itself as a kind of chair landscape, which refuses to be just functional. In the late 1960s and early 1970s Panton experimented with a radical series of upholstered environments. He wanted “to encourage people to use their fantasy and make their surroundings more exciting, ” and to this end created the 1963 “Flying” chair, the 1968 “Pantower, ” an upholstered unit with several levels, and the1974 upholstered Sitting Wheel. ” Two chairs he created for Cassina in 1979, “Sisters Emmenthaler” and the “Mrs. Emmenthaler chaise longue, were more playful and figurative, imitating the shape of the body. Panton is also known for his extraordinarily unique and sculptural lighting in plastic and Capiz shells. He employed shells, UFO-like metal and plastic elements, plastic balls and brightly colored or shiny twisted strands of plastic to forward the philosophy set forth by fellow Dane Poul Henningsen that the design of a lamp should obscure the bulb or light source. Some of his most coveted designs from this time include the “Wonderlamp, ” “VP Globe, ” “Spiral Lampen, ” the “Fun” series and the Flowerpot. The body of work produced by Verner Panton represents one of the most progressive and successful of the 20th century. In 1954 the four Scandinavian countries, Denmark, Sweden, Norway and Finland arranged what proved to be the most important marketing effort ever for Scandinavian designthe monumental exhibition Design in Scandinavia. From 1954 to 1957 Design in Scandinavia toured the United States and Canada. The exhibition was presented in 27 cities, and it was a huge success, initiated by The Danish Society of Arts and Crafts and its sister organizations in the other participating countries. Based on the success the four countries established what they called the Scandinavian Design Cavalcade, which had a lot of US press coverage as well. In that connection the July 1959 issue of House Beautiful was centered around The Scandinavian Look in U. Homes, and it was Denmark and Danish Design in particular that the magazine focussed on. Besides the editorial pages, the numerous ads illustrates that Danish modern furniture was increasingly gaining a stronghold among certain groups of American consumers. Importers and retail chains like John Stuart Inc. George Tanier, Raymor and Dunbar etc. From the end of the 1950s Danish Department stores and other retailers produced comprehensive brochures and booklets in English with prices in US Dollars presenting Danish Design to American and other tourists. Without exception, these stores all presented the narrative of Danish modern. Denmark is known all over the world for its exquisite home furnishing, which are characterized by their outstanding design and superb craftsmanship the department store Magasin claimed in its brochure Danish Design. The item “Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s” is in sale since Wednesday, February 10, 2021. This item is in the category “Collectibles\Vintage, Retro, Mid-Century\1960s”. The seller is “skystays32″ and is located in Sonoma, California. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi arabia, Ukraine, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Brazil, Chile, Colombia, Panama, Jamaica, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Viet nam, Uruguay.
  • Country/Region of Manufacture: Denmark
  • Object Type: Lamp

Rare Louis Poulsen VP-GLOBE Verner PANTON Space Age Mid Century Modern Lamp 60s

Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames

Rare_Verner_Panton_MOBILIA_Danish_Design_Magazine_Mid_Century_Modern_Book_Eames_01_xfRare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames
Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames
Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames
Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames
Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames
Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames
Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames
Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames
Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames
Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames
Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames
Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames

Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames
Ultra Rare’Mobilia’ Danish Modern Design Magazine, 1975 Filled with the best of the best of verner panton modern design furniture, art and home accessories with the period between 1950 and 1975 being the epitome of space age design. This is probably the first VERNER PANTON “book”, which ever was published: the special VERNER PANTON MOBILIA March 1975 issue. 80 pages with a lot of photos, you never have seen before; helpful information about all the lamps VERNER PANTON created until 1975 and of course all the MIRA-X fabric designs. A must for a VERNER PANTON fan! Written in English, French, German and Danish. This is an original Mobilia magazine from 1975! Condition is excellent considering its age. Spine is in good shape. Pages are not loose. Cover has only very minor wear as pictured. The item “Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames” is in sale since Tuesday, March 30, 2021. This item is in the category “Books & Magazines\Antiquarian & Collectible”. The seller is “skystays32″ and is located in Sonoma, California. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi arabia, Ukraine, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Brazil, Chile, Colombia, Costa rica, Dominican republic, Panama, Trinidad and tobago, Guatemala, El salvador, Honduras, Jamaica, Antigua and barbuda, Aruba, Belize, Dominica, Grenada, Saint kitts and nevis, Saint lucia, Montserrat, Turks and caicos islands, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Viet nam, Uruguay, Russian federation.
Rare Verner Panton MOBILIA Danish Design Magazine Mid Century Modern Book Eames

Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern

Ultra_Rare_Verner_Panton_Fabric_Wall_Hanging_Mira_X_1968_72_Mid_Century_Modern_01_znml Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern

Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
From our Spaceship to yours. Let’s meet each other in the airlock and make Love. Verner PANTON Ultra Rare Mira-X Wall Hanging, Original, Modern. Verner Panton original Mira-X printed fabric wall hanging. Ultra rare original Mira-X Fabric from circa 1968. Medium: screenprinted cotton in colors. Size: 40.5″ width x 42″ height. Framed on Wood Frame. Condition is good considering its age. Some pitting of the fabric on the bottom left as pictured. More images available upon request. Colors are very vibrant. Camera went crazy trying to capture the colors. I will be listing another panel soon. Same colors but with a design of a square instead of circles. The following is filler nonsense. With a remarkable faith in the unlimited possibilities of forms and materials, he worked successfully to create a new set of theories about how a chair should look and how it should seat someone. Experimenting with every material available, and propelled by the rapidly advancing technology of the production processes, he created a body of work that is astounding for its elegance and for the remarkable diversity of his pieces. He was trained at a technical school in Odense, Denmark as an architectural engineer and then at the Royal Danish Academy of Fine Arts in Copenhagen. He worked in Arne Jacobsen’s architectural office from 1950-52, where it is rumored that he was one of the worst workers, ostensibly because he was preoccupied with his own designs. He started his own design office in 1955 and, in the same year, came out with the tubular steel and woven cane “Bachelor” and “Tivoli” chairs. In 1958 his work as the architect of the Applied Art display at the Fredericia Furniture Fair was a harbinger of his non-traditional approach to the tenets of design. Shocking both attendees and artists, he displayed the furniture by hanging it from the ceiling of the stand. With his 1958 “Cone” chair, and the “Heart” chair the following year, both made of upholstered bent sheet metal, he began to subtly change the structure of the chair. The chairs had no discernible back, and no legs, and resembled a sculpted cylinder into which someone would be inserted. Because his chairs, even from the beginning, rarely had traditional legs, critics at the time suggested that they should be called’seats’ rather than try to imagine them as chairs. He revisited this shape in 1963 with the “Wire Cone” chair. The 1960 stacking “Panton” chair, the first to be produced from a single piece of molded plastic, brought Panton international recognition with its modern and unexpected form. It was first shown at the Mobilia club and awarded an A. The shape of the chair, a single curve with no extraneous skeleton was designed to give a soft, rather than rigid, support and it was made is a range of bright colors. Originally produced by Fritz Hansen, it was later picked up and put into mass production by Herman Miller. Panton’s 1966 “S” chair, produced by Thonet, was similar to the “Panton” in shape and was the first single piece cantilevered chair in plywood. He also expanded this shape into the 1963 “Upholstered Seating System” pieces that were longer, stretched out versions, like a completely relaxed “Panton” chair. This series was inspired by Panton’s philosophy that a set of furniture should interact within itself as a kind of chair landscape, which refuses to be just functional. In the late 1960s and early 1970s Panton experimented with a radical series of upholstered environments. He wanted “to encourage people to use their fantasy and make their surroundings more exciting, ” and to this end created the 1963 “Flying” chair, the 1968 “Pantower, ” an upholstered unit with several levels, and the1974 upholstered Sitting Wheel. ” Two chairs he created for Cassina in 1979, “Sisters Emmenthaler” and the “Mrs. Emmenthaler chaise longue, were more playful and figurative, imitating the shape of the body. Panton is also known for his extraordinarily unique and sculptural lighting in plastic and Capiz shells. He employed shells, UFO-like metal and plastic elements, plastic balls and brightly colored or shiny twisted strands of plastic to forward the philosophy set forth by fellow Dane Poul Henningsen that the design of a lamp should obscure the bulb or light source. Some of his most coveted designs from this time include the “Wonderlamp, ” “VP Globe, ” “Spiral Lampen, ” the “Fun” series and the Flowerpot. The body of work produced by Verner Panton represents one of the most progressive and successful of the 20th century. In 1954 the four Scandinavian countries, Denmark, Sweden, Norway and Finland arranged what proved to be the most important marketing effort ever for Scandinavian designthe monumental exhibition Design in Scandinavia. From 1954 to 1957 Design in Scandinavia toured the United States and Canada. The exhibition was presented in 27 cities, and it was a huge success, initiated by The Danish Society of Arts and Crafts and its sister organizations in the other participating countries. Based on the success the four countries established what they called the Scandinavian Design Cavalcade, which had a lot of US press coverage as well. In that connection the July 1959 issue of House Beautiful was centered around The Scandinavian Look in U. Homes, and it was Denmark and Danish Design in particular that the magazine focussed on. Besides the editorial pages, the numerous ads illustrates that Danish modern furniture was increasingly gaining a stronghold among certain groups of American consumers. Importers and retail chains like John Stuart Inc. George Tanier, Raymor and Dunbar etc. From the end of the 1950s Danish Department stores and other retailers produced comprehensive brochures and booklets in English with prices in US Dollars presenting Danish Design to American and other tourists. Without exception, these stores all presented the narrative of Danish modern. Denmark is known all over the world for its exquisite home furnishing, which are characterized by their outstanding design and superb craftsmanship the department store Magasin claimed in its brochure Danish Design. The item “Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern” is in sale since Monday, August 24, 2020. This item is in the category “Collectibles\Vintage, Retro, Mid-Century\1970s”. The seller is “skystays32″ and is located in Sonoma, California. This item can be shipped worldwide.
  • Object Type: Wall Art

Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern

Rare original vintage pair VERNER PANTON FUN 2 WM wall lamps for J LUBER

Rare_original_vintage_pair_VERNER_PANTON_FUN_2_WM_wall_lamps_for_J_LUBER_01_tjhlRare original vintage pair VERNER PANTON FUN 2 WM wall lamps for J LUBER
Rare original vintage pair VERNER PANTON FUN 2 WM wall lamps for J LUBER
Rare original vintage pair VERNER PANTON FUN 2 WM wall lamps for J LUBER
Rare original vintage pair VERNER PANTON FUN 2 WM wall lamps for J LUBER
Rare original vintage pair VERNER PANTON FUN 2 WM wall lamps for J LUBER

Rare original vintage pair VERNER PANTON FUN 2 WM wall lamps for J LUBER
A pair of beautiful rare original vintage. (wall model) shell lamps designed by. And pruduced in Switzerland between 1964 and the end of the 1970ies by. The lamps are coming with the original LUBER label and some extra discs and rings (see pics). Size each: H 40 x W 28 x D 17 cm. Condition: never used (new old stock) and in mint condition and full working order. These lamps are original vintage models from the 60ies/70ies and not reproductions! Please have also a look at our other offers and auctions! The item “Rare original vintage pair VERNER PANTON FUN 2 WM wall lamps for J LUBER” is in sale since Monday, August 24, 2020. This item is in the category “Antiques\Periods & Styles\Mid-Century Modernism”. The seller is “quadrophenia03″ and is located in Basel. This item can be shipped worldwide.
  • Style: Mid-Century Modern
  • Depth: 17 cm
  • Maker: L├╝ber, Switzerland
  • Material: Seashellplates
  • Width: 28 cm
  • Original/Reproduction: Original
  • Type: Wall lamps
  • Color: White
  • Height: 40 cm

Rare original vintage pair VERNER PANTON FUN 2 WM wall lamps for J LUBER

Rare L’UTOPIE Space Age Design Book. Mid Century Modern 60s 70s Verner Panton

Rare_L_UTOPIE_Space_Age_Design_Book_Mid_Century_Modern_60s_70s_Verner_Panton_01_ty Rare L'UTOPIE Space Age Design Book. Mid Century Modern 60s 70s Verner Panton
Rare L'UTOPIE Space Age Design Book. Mid Century Modern 60s 70s Verner Panton
Rare L'UTOPIE Space Age Design Book. Mid Century Modern 60s 70s Verner Panton

Rare L'UTOPIE Space Age Design Book. Mid Century Modern 60s 70s Verner Panton
Very Rare Out of Print’L’UTOPIE DU TOUT PLASTIQUE’ Book, The Bible of Space Age Design featuring the best of the best in 1960s and 1970s design. Verner Panton, Eero Aarnio, Gufram, Archizoom, Ettore Sottsass, Kartell and plenty more. Scarce title; a pre-owned copy with wear and tear: one tear in rear cover as pictured! Hard to find book. Publisher: Fondation pour L’architecture (first editioin). Product Dimensions: 9 x 11 inches. The item “Rare L’UTOPIE Space Age Design Book. Mid Century Modern 60s 70s Verner Panton” is in sale since Monday, June 22, 2020. This item is in the category “Antiques\Periods & Styles\Mid-Century Modernism”. The seller is “skystays32″ and is located in Sonoma, California. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, South africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Mexico, New Zealand, Philippines, Singapore, Norway, Saudi arabia, United arab emirates, Bahrain, Croatia, Malaysia, Chile, Colombia, Costa rica, Dominican republic, Panama, Trinidad and tobago, Guatemala, El salvador, Honduras, Jamaica, Antigua and barbuda, Aruba, Belize, Dominica, Grenada, Saint kitts and nevis, Saint lucia, Turks and caicos islands, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Viet nam, Uruguay, Russian federation.
  • Featured Refinements: Mid Century Modern
  • Style: Space Age Design
  • Sub-Style: Modern
  • Maker: L’Utopie du tout Plastique
  • Original/Reproduction: Original
  • Type: Book

Rare L'UTOPIE Space Age Design Book. Mid Century Modern 60s 70s Verner Panton

Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern

Ultra_Rare_Verner_Panton_Fabric_Wall_Hanging_Mira_X_1968_72_Mid_Century_Modern_01_psUltra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern

Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern
From our Spaceship to yours. Let’s meet each other in the airlock and make Love. Verner PANTON Ultra Rare Mira-X Wall Hanging, Original, Modern. Verner Panton original Mira-X printed fabric wall hanging. Ultra rare original Mira-X Fabric from circa 1968. Medium: screenprinted cotton in colors. Size: 41″ width x 39″ height. Framed on Wood Frame. Condition is good considering its age. Some pitting of the fabric on the bottom left as pictured. More images available upon request. Colors are very vibrant. Camera went crazy trying to capture the colors. I will be listing another panel soon. Same colors but with a design of a square instead of circles. The following is filler nonsense. With a remarkable faith in the unlimited possibilities of forms and materials, he worked successfully to create a new set of theories about how a chair should look and how it should seat someone. Experimenting with every material available, and propelled by the rapidly advancing technology of the production processes, he created a body of work that is astounding for its elegance and for the remarkable diversity of his pieces. He was trained at a technical school in Odense, Denmark as an architectural engineer and then at the Royal Danish Academy of Fine Arts in Copenhagen. He worked in Arne Jacobsen’s architectural office from 1950-52, where it is rumored that he was one of the worst workers, ostensibly because he was preoccupied with his own designs. He started his own design office in 1955 and, in the same year, came out with the tubular steel and woven cane “Bachelor” and “Tivoli” chairs. In 1958 his work as the architect of the Applied Art display at the Fredericia Furniture Fair was a harbinger of his non-traditional approach to the tenets of design. Shocking both attendees and artists, he displayed the furniture by hanging it from the ceiling of the stand. With his 1958 “Cone” chair, and the “Heart” chair the following year, both made of upholstered bent sheet metal, he began to subtly change the structure of the chair. The chairs had no discernible back, and no legs, and resembled a sculpted cylinder into which someone would be inserted. Because his chairs, even from the beginning, rarely had traditional legs, critics at the time suggested that they should be called’seats’ rather than try to imagine them as chairs. He revisited this shape in 1963 with the “Wire Cone” chair. The 1960 stacking “Panton” chair, the first to be produced from a single piece of molded plastic, brought Panton international recognition with its modern and unexpected form. It was first shown at the Mobilia club and awarded an A. The shape of the chair, a single curve with no extraneous skeleton was designed to give a soft, rather than rigid, support and it was made is a range of bright colors. Originally produced by Fritz Hansen, it was later picked up and put into mass production by Herman Miller. Panton’s 1966 “S” chair, produced by Thonet, was similar to the “Panton” in shape and was the first single piece cantilevered chair in plywood. He also expanded this shape into the 1963 “Upholstered Seating System” pieces that were longer, stretched out versions, like a completely relaxed “Panton” chair. This series was inspired by Panton’s philosophy that a set of furniture should interact within itself as a kind of chair landscape, which refuses to be just functional. In the late 1960s and early 1970s Panton experimented with a radical series of upholstered environments. He wanted “to encourage people to use their fantasy and make their surroundings more exciting, ” and to this end created the 1963 “Flying” chair, the 1968 “Pantower, ” an upholstered unit with several levels, and the1974 upholstered Sitting Wheel. ” Two chairs he created for Cassina in 1979, “Sisters Emmenthaler” and the “Mrs. Emmenthaler chaise longue, were more playful and figurative, imitating the shape of the body. Panton is also known for his extraordinarily unique and sculptural lighting in plastic and Capiz shells. He employed shells, UFO-like metal and plastic elements, plastic balls and brightly colored or shiny twisted strands of plastic to forward the philosophy set forth by fellow Dane Poul Henningsen that the design of a lamp should obscure the bulb or light source. Some of his most coveted designs from this time include the “Wonderlamp, ” “VP Globe, ” “Spiral Lampen, ” the “Fun” series and the Flowerpot. The body of work produced by Verner Panton represents one of the most progressive and successful of the 20th century. In 1954 the four Scandinavian countries, Denmark, Sweden, Norway and Finland arranged what proved to be the most important marketing effort ever for Scandinavian designthe monumental exhibition Design in Scandinavia. From 1954 to 1957 Design in Scandinavia toured the United States and Canada. The exhibition was presented in 27 cities, and it was a huge success, initiated by The Danish Society of Arts and Crafts and its sister organizations in the other participating countries. Based on the success the four countries established what they called the Scandinavian Design Cavalcade, which had a lot of US press coverage as well. In that connection the July 1959 issue of House Beautiful was centered around The Scandinavian Look in U. Homes, and it was Denmark and Danish Design in particular that the magazine focussed on. Besides the editorial pages, the numerous ads illustrates that Danish modern furniture was increasingly gaining a stronghold among certain groups of American consumers. Importers and retail chains like John Stuart Inc. George Tanier, Raymor and Dunbar etc. From the end of the 1950s Danish Department stores and other retailers produced comprehensive brochures and booklets in English with prices in US Dollars presenting Danish Design to American and other tourists. Without exception, these stores all presented the narrative of Danish modern. Denmark is known all over the world for its exquisite home furnishing, which are characterized by their outstanding design and superb craftsmanship the department store Magasin claimed in its brochure Danish Design. The item “Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern” is in sale since Saturday, May 9, 2020. This item is in the category “Collectibles\Vintage, Retro, Mid-Century\1970s”. The seller is “skystays32″ and is located in Sonoma, California. This item can be shipped worldwide.
  • Object Type: Wall Art

Ultra Rare Verner Panton Fabric Wall Hanging Mira-X 1968-72 Mid Century Modern